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Do You?

Photo by Mateus Souza on Pexels.com

I don’t want my friend to be fearful of walking home.

I don’t want my fiancé to be terrified of being alone with her boss.

I don’t want my colleague to feel silenced or less than.

I don’t want my neighbour to be afraid and dictated by dusk. 

I don’t want my partner to be wolf whistled when walking to the shop for some milk.

I don’t want my Grandmother ignored or disregarded because of her sex.

I don’t want my mother to be the butt of a joke between blokes.

I don’t want my sister to be leered at and made to feel uncomfortable.

I don’t want my daughter to change her wardrobe to prevent being attacked.

Do you?…

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Mary Stuart: Queen of Scotland… and Runway

A life cut short through loss, betrayal leading to imprisonment and finally execution doesn’t fill me with positivity.

However…

There have been a many depictions of Mary Stuart in film from Katharine Hepburn in Mary Queen of Scotland (1936) to Das Herz der Königin (The Heart of the Queen) (1940) a 1940’s German interpretation which saw Zara Leander in a historical musical role, yet one of the aspects of the movies that abide (majoritively) to the sixteenth century fashions also find themselves seeping into the creations of luxury designers.

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Shaken and Stirred Style: Classic to Contemporary Bond

Bond,…James Bond

I was brought up in a family where the Bond films were predominant on the television form Dr. No (1962) to Spectre (2015). Cinema trips would be organised when a new Bond film is released and the broadcasting of the films in the franchise would be enjoyed throughout the year.

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Fashion: On Screen

 

Over the years there are films that have given us great fashion viewing, some famously popular and some that have received less acclaim. The following titles are but a few that have offered great outfits, interesting plots and complex protagonists.

Holly Golightly & Paul Varjack

Lets start off with a classic Breakfast at Tiffany’s (1961) where Holly Golighlty (Audrey Hepburn) and Paul Varjack (George Peppard) meet when Varjack moves into the same apartment block. The iconic sheath little black Givenchy dress that hugs Hepburn’s slender figure made of Italian satin epitomizes her character. Hepburn was famously a friend of Hubert de Givenchy, however it was Edith Head that assisted with costume support on the movie and had to re-design the dress for screen as the original showed too much leg. Read more

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Catsuits and Catwalks

Life’s a b***h. So am I.

One of my earliest memories with regards to film is when I was allowed to see Tim Burton’s Batman Returns (1992) in which Michelle Pfeiffer played the awkward bullied secretary to Max Shrek (Christopher Walken) who is pushed to her death and is reborn thanks to a clowder of felines into Catwoman. Most audiences would be focused on the remarkable transformation of Pfeiffer into her anti-hero, I was however transfixed on her wardrobe designed by Mary Vogt.

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Runway to Red Carpet

Numerous models have transitioned from the runway into the movie world…

From the outset modelling offers many opportunities to meet fabulous designers, walk the runways of Milan, Paris, New York and London and even acting. And no I am not talking about acting in the way that the Kardashians do for the camera I mean actually trained creating interesting and enjoyable movies.

Taking direction from the likes of Grace Jones and Twiggy the models below show that they are more than a pretty face and fierce walk.

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Fashion Inspiring Film

In film, on film, the film…

Fashion and cinema have forever had a helical relationship, which feeds the audiences voracious appetites. As a stand alone genre documentary fashion films have stood alone with The September Issue (2009), Dior and I (2014), The First Monday In May (2016) and McQueen (2018) whereby the audience is offered a glimpse into the world of high-end fashion and the creation of luxury fashion magazines.

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Rebel with a Cause

Rebel Without a Cause

You can trust me Judy.

Rebel Without a Cause (1955)

Sandwiched between two radical novels The Catcher in the Rye (1951) and On the Road (1957) that focus on challenging contemporary ideals. Rebel Without a Cause epitomized the adolescent angst through refuting the conservative social constructs of middle class America during the 50’s.

Costume designer Moss Mabry fashioned Jim Stark’s (James Dean) iconic look as a symbol of individuality which quickly spiked across America as teenagers were given a wire frame wardrobe by which to emulate their hero.

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